![]() I got into the arts because of what happens in the theater in front of an audience in real time.”ĭiable said he enjoyed watching “so many legacies come together and unfold.” From the young boy soprano, Walter Russell III, who came from Diable’s childhood alma mater the Harlem School of the Arts, to the choreography of Camille A. “I was filled with this excitement being back in the space, seeing all my friends and colleagues, old bosses, new bosses, future bosses,” he said later. Terrence Diable, FCLC ’15, arrives at the final dress rehearsal of “Fire Shot Up in My Bones.” (Photo by Bruce Gilbert) ![]() He said that he hadn’t attended a live indoor performance since the pandemic began. For him, the Met’s return conjured a host of feelings. On seeing the team in the lobby, one audience guest, Terrence Diable, FCLC ’15, shouted out “Go Rams!”ĭiable, an alumnus of Ailey/Fordham program, is now part of the Harlem-based Limón Dance Company. Our coach is showing us how well-rounded all the other coaches are and how we can be, too.” ![]() “Everybody has a different mentality on the court then they do off the court. “It’s good to be able to have time with each other off the court and to be seeing a different side of the coaches as well, their different personalities,” he said. He added that between school and practice it’s hard to get to get to know team members and coaches, even though they spend so much time together. “We’re just going to different places most guys that are in college don’t get to experience,” said Quinsenberry. Senior guard Darius Quisenberry said that the off-campus excursions were key to creating team chemistry on the court. Patricia Clarkson, FCLC ’82, arrives at the Met Opening Night Gala on Monday, Sept.
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